GIOVANNI DEMEGLIO
So here it is: The Giovanni de Meglio constructed in 1903
Model A with a silver inlaid feather in the scratchplate.
This builder is one of the more renowned luthiers from Naples.
The quality of its sound is really good. A beautiful and musically
singing voice! Though a lot of work it was really rewarding.
This instrument is back to life again!
Many thanks to Dave Hynds who supplies replica's of
old mandolin parts!
Th is mandolin h as to be restored yet.
Allready clearly visible is th e silver inlay on th e
scratch plate. Th e odd wooden addition beneath th e
bridgeplace is a typical De Meglio feature
as are th e h oles on th e sides in th e endribs.
Allready clearly visible is t
scratc
bridgeplace is a typical De Meglio feature
as are t
T
and its number of production.
T
mandolins seems to
Definately a future collectable!
DOMENICO SALVADORI
Here the Domenico Salvadori is presented in its unrestored condition.
You have to be aware of what is severe damage and what is
reparable in order to get these instruments back in playable condition.
Though this would be a really nice wallhanger it wouldn't be
fair to this particular instrument as the interior workmanship
is good. Carefully done woodwork in the Vinaccia tradition.
In fact many of the foremen that were working for the Vinaccia
family later established their own business.
As can be seen the more elaborate ornamented mandolins
have closed tuners and of course a lot of ribs 29 to
be exact. The neck / body finishing can be found on
some Vinaccia models as well.
It is not known to me wether if these builders did the ornamentation
as well on their instruments but this one is worth an observation
and maybe presenting a kind of an allegory.
NICOLA SPOTO
Nicola Spoto seems to be one of the lesser known luthiers
in Naples around 1900. However the way of building and
overall woodwork is exquisite, even on a plain instrument
as this one. It's sound is no less!
Here are some comments of italian stringed instrument dealer:
"All Spoto mandolin and mandola Ih ad got were also really iteresting instruments!Most of th em are with a simple decoration , but really very
good costruction and sound result.
"All Spoto mandolin and mandola I
good costruction and sound result.
Spoto worked in two different worksh ops.
Most important in Naples and second one in th e first year
of th e XXth century wh en h e worked very much in France near Nizza.
He worked until 1925.
Most important in Naples and second one in t
of t
He worked until 1925.
His instruments are in between of Vinaccia and Calace project.
He is not as much known as Stridente and De Meglio,
buth is work was very h igh t quality!"
He is not as muc
but
This mandolin would certainly have ended in the garbage
bag if it weren't that the back and the neck and head are in
remarkable good condition. This mandolin was a high end
model of this Napels based builder. Just take a close
look at the back....
Of course sculpted ribs with metal layers in between.
Very finely crafted as is the neck.
Though the soundboard can only be replaced
by a new one it is definately worth all that trouble!
Fratelli Umberto Mandolin
Alas, putting up the tension on this instrument again,
the reparation though newly done, remains visible!
Fratelli Umberto is thought to be a Calace copyist.
6 Comments:
hello,
"Fratelli Humberto" was a commercial name from the well-known firm "Laberte-Humbert" , in Mirecourt (France) around 1900, for some of their mandolins…
Best regards!
Please remark that Umberto Fratelli is just the italian for "Humbert Frères", from the Laberte-Humbert firm.
Hello friend
Indeed you're right. These are instruments produced in France.
For other visitors: Please check the following site that has a lot of information on factory produced instruments of that time catalogues
included:
http://www.luthiers-mirecourt.com/jacquot2.htm
Succes Noud
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ciao A tutti, scusate se intervengo, mi interessava saperne di piu in merito al nesso tra i Fratelli Umberto e la ditta di Mirecourt...qualcuno mi sa dire di più per favore?
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