Mandolines

Many reactions about where to buy these instruments. Alas, I'm more a collector though sometimes I'm willing to sell one of my dear ones. Please, if you have any further information regarding luthiers etc. please contact me at acakoevoets@kpnmail.nl

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Location: Oosterhout, Noord Brabant, Netherlands

Monday, November 06, 2006

Lucien Gelas Mandola



Lucien Gelas




Lucien Gelas was in fact the inventor of the two piece soundboard
on mandolins, mandola's, guitars and Hawaian guitars. A beautiful
collection of 5 instruments of the mandolin family (flatbacks and
bowlback examples) have been auctioned at Bonhams in the
past. It was valued around 3500 BP. This is a Mandola made by
Gaudet, the first instrument maker who was licensed to produce
these Gelas instruments. Around 1920 Rovies took over the
production though I'm not sure wether this is true. 


A flat back mandola made by Gaudet must be quite rare.
On the other hand, this invention has been produced in different
qualities and by different makers so we have to be careful.
A beautiful two piece figured maple back with a small repaired
crack in it but of no influence to my opinion.


The well known brand stamped signature allways on these
instruments. It would be interesting if a general valuation
could be made from instruments of the various makers.
The snakewood inlay at the edges is quite common on the
earlier instruments. For both the bridge and the fingerboard
ebony has been used.


Quite strange is this head as nearly all Gelas mandolins and
mandolas share the same headform. This one surely is
rare and it resembles some of the Adamo mandolins
that have been produced in Mirecourt.


The label which mentions Gaudet as the maker apparently 
shows the Gelas signature and furthermore No. 417 and the year 
of  production 1922 which is remarkable as most literature
states Gaudet to be active untill 1920.
  

As more than often happens, the bridge has been pulled of,
partly because of the construction but most likely because
too heavy strings were used on this instrument.


As most parts of the detoriated bridge were still there
I was able to copy the bridge out of first class ebony
but I have to make some final adjustments still regarding
string height.


Not all the strings have been mounted yet due to some
last adjustments to be executed. The frets have been dressed 
and some have been renewed. The fingerboard needed a good
cleaning and the tuners had to be put back in working order.
A small crack in the back has been glued together and after
some hours work this instrument can be considered to be
in pristine condition again.


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